In the last decades of the nineteenth century the economy was extremely volatile, characterized by boom-bust cycles. Lester tells her that he has never forgotten her and that he loves her still, and Jennie reciprocates. The film is a hybrid narrative drawn from multiple literary sources.
University of Missouri Press, Form and History in American Literary Naturalism. Their successes and failures have no moral value; this stance marks Sister Carrie as a departure from the conventional literature of the period.
Sweeping economic change marked the period from the Civil War to the close of the nineteenth century.
Thus, with Dreiser in disfavor as both thinker and artist--to say nothing of the confusion created by the mystic element in his two posthumous novels, The Bulwark and The Stoic --it was no wonder that during the s and s, as Irving Howe recalls, his work was "a symbol of everything a superior intelligence was supposed to avoid.
Reprinted in Decline of the New. Thus, in addition to the dramatic possibilities of the Gillette case, Dreiser felt a kinship with his protagonist that allowed him to portray him as a pitiable, arresting, trapped creature. She cannot be destroyed so long as she can give.
In the s and 60s, wholesalers began marketing standardized consumer wares--everything from underwear to coats, from curtains to furniture. It is a cynical agreement on the part of master and slave to keep the whole system of chemisms from running amuck.
When he has his goal of wealth and success in sight, the only obstacle in his path, the pregnant Roberta, must be discarded at any cost without a thought of the consequences.
If his work appeared to lack beauty, it was because the concept of beauty had degenerated into a belief in mere surface grace and polish. In the pursuit of the fullest expression and fulfillment of life she can achieve, human attachments are only transitory at best, and Drouet and Hurstwood are only means to an end for Carrie.
This is "Darwinism" at its starkest. Only when his wife threatens him with exposure is he forced to make the final commitment to Carrie and, eventually, to the gas jet. Although such recent critics as Charles Walcutt, Donald Pizer, June Howard, John Conder, Lee Clark Mitchell, and Michael Davitt Bell still engage the problems of defining American naturalism and explaining Dreiser as our principal naturalist, they now incline toward an acceptance of the complexities and ambivalences of both the movement and Dreiser.
Inone year after Dreiser imagines Carrie's arrival in Chicago, women made up seventeen percent of the national labor force, with women between the ages of fifteen and twenty-four forming the largest proportion of this group Matthaei Society is an aggregate whole of atomic underlings, each one an independent unit of force and desire, determined somehow by mechanical forces, pushing or making way for other forces as it bumps crazily along.
From the outset, his title was Sister Carrie, though he changed it to The Flesh and the Spirit while writing it; he restored the original name once complete.
Appropriately, Carrie's first lover is a "drummer" 5 or travelling salesman who goes on the road to market his company's wares. Oxford University Press, Women canned the family crops, spun cloth and crafted it into clothing and linens, made soaps and candles, and produced other essential goods.
Characters[ edit ] Caroline Meeber, a. When Clyde is finally executed, his inexorable fall is complete. Harvard University Press, University of California Press, Factories demanded centralized labor, large groups of unrelated people leaving the home and working under one roof.
His imagination, however, had been fired; his tireless reading continued, and he burned to improve his lot. A major shift in Dreiser's critical reputation occurred with the publication of An American Tragedy in late Representative of a new generation of Americans, Carrie is not one to "submit to a solemn round of industry" while postponing gratification A striking example concerns the time it took to move freight from Philadelphia to Chicago: Major works Long fiction: Episodes in American Literary Communism.
But Dreiser also understood how the economy that produced wealth for some also caused poverty for many. Lester has pursued Jennie and his help fosters the ensuing affair.
Hurstwood mollifies Carrie by agreeing to marry her, and the couple move to New York City. Typically, Carrie never knows or cares that Hurstwood is dead. Hill and Wang, As the narrator says, "Whatever a man like Hurstwood could be in Chicago, it is very evident that he would be but an inconspicuous drop in an ocean like New York" The ensuing intellectual revolution constitutes one of the fundamental paradigm shifts as discussed by historian of science Thomas Kuhn.
One also senses, however, that she has emerged a spiritual victor. Dreiser touches upon a wide range of themes and experiences in Sister Carrie, from grinding poverty to upper-middle class comfort.
Home › American Literature › Analysis of Theodore Dreiser’s Novels. Analysis of Theodore Dreiser’s Novels By Nasrullah Mambrol on June 1, • (0).
Literary historians have shown, by identifying sources and characters, that Theodore Dreiser ( – ), even in his fiction, was a capable investigative reporter. Home › American Literature › Analysis of Theodore Dreiser’s Novels. Analysis of Theodore Dreiser’s Novels By Nasrullah Mambrol on June 1, • (0) Literary historians have shown, by identifying sources and characters, that Theodore Dreiser ( – ), even in his fiction, was a capable investigative reporter.
Sister Carrie by Theodore Dreiser. Home / Literature / Sister Carrie / Sister Carrie Analysis Literary Devices in Sister Carrie. Symbolism, Imagery, Allegory. Let the Adventure BeginEighteen-year-old Carrie Meeber leaves her small town with plans to live with her sister and her sister's husband in Chicago.
In these early chapters, we. Theodore Dreiser’s novel Sister Carrie is an example of a naturalist text because it integrates the ideas behind the American literary realism movement, particularly in terms of precise descriptions and rational observations, yet also contains elements that make the reader understand that characters are simply the products of environment and outside influences.
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The literary scene which Dreiser entered in with the publication of Sister Carrie was still largely controlled by the conventions of what was later to be designated as "The Genteel Tradition." The purpose of literature, most publishers and reviewers held, was to appeal to man's "higher nature," to inspire him through the depiction of man's capacity .An analysis of theodore dreisers sister carrie